Dustin Marshall
&
Cooper Walker
From Andras Jones: “Dustin Marshall is the big cheese at Feral Audio so it was pretty cool of him to be a guest on one of our first shows”.
From Cooper Walker: “Moving ever so gracefully from the topic of sexual assault to that of the equally enchanting subject of nuclear war, my time as musical medium to our infamous Pop Oracle was off to a flying start in this second installment of our Radoi8Ball show. But as I listen back I am again pleasantly surprised to find not the expected discomfort and awkwardness but a bizarre sense of symbiosis and symmetry between the seemingly remote subjects of a girl who can’t be true and the prospect of a nuclear attack on our beloved city of angels. I’m left ultimately both with a newfound appreciation of the ingenuity behind the wheel of 8 and the realization that there are beautiful and mysterious connections to be revealed here if I am willing simply to make myself available to them…”
CINEMA
Verse I
“She’s goin’ soft, Takin’ time like she’s never done Yeah, she’s losing her touch, Once she had a way that would have never had her in the wane I guess it don’t mean much, The dance you had with the upper hand Oh, she’s at the end of her luck, She’ll show you something for the cinema….
Chorus
Nobody’s heard of the saving of the Girl that’s misbehaving Said herself she walked the line between Lying for a living and the ‘other side’ Brother it ain’t an intuition that nobody’s crying for the Looks gone missin’ See the world through a long line of glances but you Know it ain’t your chances when the sentimental takes its turn
Verse II
She’s pawning her faith, she Didn’t think much of the kind of gait that made her wait She had it out in the sun, She can’t command it when everybody’s having fun It’s a pitiful plight, she Said it’s all done just to see if she could get it right It’s the sad of the show, That there’s a place where it ends is what you ought to know
Chorus
Nobody’s heard of the saving of the Girl that’s misbehaving Said herself she walked the line between Lying for a living and the ‘other side’ Brother it ain’t an intuition that nobody’s crying for the Looks gone missin’ See the world through a long line of glances but you Know it ain’t your chances when the sentimental takes its turn
[Instrumental]
Bridge
It’s just too bad, Yeah but you know that it’s true It’s just so sad…
It’s just too bad, Yeah but you know that it’s true It’s just so sad….
Chorus
Nobody’s heard of the saving of the Girl that’s misbehaving Said herself she walked the line between Lying for a living and the ‘other side’ Brother it ain’t an intuition that nobody’s crying for the Looks gone missin’ See the world through a long line of glances but you Know it ain’t your chances when the sentimental takes its turn
